Showing posts with label attempts to make a franchise. Show all posts
Showing posts with label attempts to make a franchise. Show all posts

Wednesday, November 20, 2019

AN OPEN LETTER TO: Elizabeth Banks

Dear Ms. Banks,

I hope this finds you well.  I am an admirer of your work both as an actress and as a director.  Granted, I do wish you would not answer any more phone calls from anyone of the last name of Gunn, as James and his brethren seems to delight in putting you in unpleasant situations, but that’s just me.

I want to address your recent comments about the disappointing returns from your Charlie’s Angels reboot.  As someone who likes you a lot, I’m a little concerned.

You see, I did not go to see this film.  I will freely admit to that.  But it’s not because a male uninterested in female led action pictures.

Quite the opposite, in fact!  I love female led action pictures.  Of the few actors I will go to see an action movie because of, most of them--Charlize Theron, Tessa Thompson, Taraji P. Henson*, Michelle Rodriguez, Michelle Yeoh--are women!  I actively want to see more female-led genre pictures, which has resulted in the past with me going to some very empty theaters to see films such as Atomic Blonde and Proud Mary.  I grew up in love with Pam Grier, who should be remembered as the Queen of Action Films long before Sigourney Weaver went toe-to-toe with some xenomorph mutha (literally!).

My reasons for not going is two-fold--one minor and one major.  The minor reason is that, being a person with disability on public assistance, I simply can’t see every movie in the theaters like I used to.  Here in New York, a matinee cost twelve-to-fifteen dollars, with a regular ticket costing twenty dollars or more!  I have had to pass on a number of films this year that, back when I was making more of a living, I might have taken a chance on (including, incidentally, two Spider-Man films that came out over the last twelve months).  I have to be more discretionary because I have so little in the way of funds.

But then there’s the major reason, which might be a little more complex.  My choice not to see your film ties in with the intellectual property you tied this film into.

I just really have no interest specifically in Charlie’s Angels.  I was not a fan of the TV series.  Yes, I did go and see the 2000 feature based on the presence of Cameron Diaz and Drew Barrymore....but the noisiness and loudness and aggressive....well, attitude of McG’s vision totally shut down my interest.  I couldn’t engage with that movie due to its ADD aesthetic, so I passed on the sequel.   Thus, I was not disposed to give another version of the property a chance--not only your film, but the two attempts to relaunch it as a television series in the two decades since that film version.

But even with my dislike of the property, I might have still given your film a try.  After all, as a fan of your work, I want to support you.  But the cast just turned me off.  I am not a fan of Kristen Stewart, and had no familiarity with the other two actresses, so I was not disposed to want to spend time with them in a property I did not care for.

Now, if you had the same cast in an original action film about three female detectives, I would have considered going.

If you had done a Charlie’s Angels reboot with, let’s say, Tessa Thompson, Samara Weaving and Diane Guerro, I would seriously have considered going.

(I’d still have to deal with my limited funds, but the likelihood of my scraping a plan together to see the movie would have increased.)

But since it was that cast and that property, I just had zero interest.  It’s as simple as that.

I have to also take into account my overall tiredness with films that are ‘franchise ready.’  So many movies these days are more concerned with world-building than telling a good story...even though the reason so many old properties became franchises is because they told a great story first.  The fact that this was obviously meant to be the start of a whole new series of films contributed to my decision to pass on your film.

So please understand that it’s not just simply ‘men don’t want to see female-led action films.’  I want to see more female led movies.   But given my limited budget, I have to be discriminatory in where I put my dollars and I’d rather place them in support of something--whether original or part of a franchise--that tells a good story and doesn’t spend loads of time teasing stuff we’ll encounter in the pre-assumed sequels.  Don’t paint me, and people like me who are financially limited in their entertainment budget, with one wide, reductive brush.

I hope you’re not mad at me because, as I have stated before, I am a fan.  It is my wish that we can move forward with you creating stuff that is awesome enough that I want to consume it.

I remain, with fondness,

Thomas Deja

*--speaking of Thompson and Henson, I would love to see the two of them teamed with Pam Grier on a generational action movie similar to what they tried recently with that Shaft reboot.

Sunday, October 7, 2018

Halloween Horrorfest 2018: VENOM (2005)

No, not that one.  This is the one produced by Kevin Williamson...which makes this another sin to lie at his feet next to such wonderful products as brain-dead TV series The Following, Stalker, Teaching Ms. Tingle, and Cursed.

Well, to be fair, a lot of other people get to share the blame.  There’s Flint Dille, who co-wrote the script and is primarily known for writing loads of episodes of those Saturday morning cartoons that Hasbro want to make into a Cinematic Universe.  There’s also Jim Gillespie, who directed this film.  And let’s not forget the Weinsteins, who were trying desperately to find Dimension Films’ answer to the sudden appearance of the Saw juggernaut.

You can tell I didn’t like this very much, can you?

We’re introduced to a bunch of characters in a Lousiana town. There's Eden (Who Wants To Leave This Town For The Big City) and Eric (Who...Doesn’t Want Her To?) and....the Trashy Girl, and the Gay(?) Guy, and the Girl Who Reads Books, and the Girl Who’s Got A Car, and, CeCe, who is the Granddaughter of A Voodoo Priestess because Lousiana.  Eden and Eric fail in saving Ray, the local tow truck operator, who was trying to save CeCe’s grandma, Miss Emmie.  What Eden and Eric don’t know is that Miss Emmie had a suitcase full of CGI voodoo snakes that are filled with the souls of evil men, and those snakes bite Ray as he drowns, turning him into a scaly-skinned, befanged voodoo zombie tow-truck driver who is hankering to sacrifice people to the Dark Voodoo Gods.  Ray goes around killing our characters except for Eden, who we know is the final girl because she was named right up front.

You can see the problem here.  This is a movie filled with the stockest of stock characters who are there only to build up the nature of our potential franchise monster by dying in ‘creative’ ways.  It’s obvious that Ray (and I have to say a monster called Ray is decidedly unthreatening; the publicity for the film dubbed him ‘Mr. Jangles,’ but he’s never called that through its 83 minute running time) is where all the script’s energy is.  We see Ray get a signature weapon (a crowbar), some signature moves (etching runes in the victims’ blood), some horror-related special effects (eyes that move under his skin), and a ‘he’ll be back’ ending shot...but in creating this Wicked Monster, the script forgets pacing, atmosphere, characterization and other things that make for a memorable horror franchise.  We don’t even get gory kills, as the film relies too much on quick cuts when another actor falls.

That being said, it surprises me that no one bothered to at least spit out a direct-to-video sequel.   I mean, the same year saw a sequel to Urban Legends and a second(!) sequel to The Mangler.  If also-rans like The Mangler squeezed out sequels, surely Venom could have had something....

This is an aggressively mediocre film that wanted to be a big deal but ended up forgotten.  Hell, I’d forgotten it until the release of that Tom Hardy super-hero movie reminded me it once existed.  I would certainly not recommend this.

How YOU Can Curate The 2nd Half Of The Horrorfest!

There's still one more week to help curate this year's Halloween Horrorfest

If you donate $31 to the Rape, Abuse, and Incest National Network before October 15th and send me the receipt proving you did, you can name one movie I have to watch during the Horrorthon.  Keep in mind there are some things I won’t do (so no Eli Fucking Roth movies, for example), and it has to be a movie I can find.  If you’re an independent filmmaker and are willing to make the donation, by all means send me the film.  I will do as many as I can before October 31st, and those I can I will view in the days after Halloween during ‘Beyond Halloween Horrorfest.'

A Journey Of A Thousand Eons...: N2.5 Rise of the Cyberman

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